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MessagePosté le: Sam 1 Juil - 14:10 (2017)    Sujet du message: The Theory And Practice Of Landscape Painting In WaterCol Répondre en citant


The Theory and Practice of Landscape Painting in Water-Colours: Illustrated by a Series of Twenty-Six Drawings and Diagrams in Colours, and Numerous Woodcuts (Classic Reprint)
by George Barnard



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Excerpt from The Theory and Practice of Landscape Painting in Water-Colours: Illustrated by a Series of Twenty-Six Drawings and Diagrams in Colours, and Numerous Woodcuts

Any excellent and elaborate treatises on the Theory of Colour, and several works describing the practice of landscape-painting in water-colours, are already before the public but to understand the former requires much thought and patience; and the latter, however practical, rarely have the advantage of being accompanied by examples illustrative of the artist's meaning.

The object of the present work, therefore, is to supply that which the Author, in a long course of professional teaching, has found necessary for the advancement of his pupils. The diagrams and illustrations introduced are such as have been found most useful in elucidating the theory and practice of colour in landscape-painting, and at the same time in diminishing the labour of the pupil in acquiring this valuable and attractive art.

The student, with the view of fully impressing upon his mind the rules given in the following work, should copy the illustrations; and, when he finds himself conversant with his materials, may proceed to the drawing of subjects from nature, in accordance with the rules laid down.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.






The Theory and Practice of Landscape Painting in Water-Colours: Illustrated by a Series of Twenty-Six Drawings and Diagrams in Colours, and Numerous Woodcuts (Classic Reprint) George Barnard
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